A scratch vocal or guide vocal is an audio recording made without the intention of keeping it. The recording is intended for reference only. These vocals can be used for music or animation. In music a singer may use a scratch recording to rerecord the song later. In animation, scratch vocals are often used to check the story and can be kept instead of auditioning for another vocalist.
Most of the time, the singer of a scratch vocal ultimately re-records the vocal performance after production is complete. However, there are a number of exceptions to this rule, such as "The Piña Colada Song" by Rupert Holmes, where the re-recording lacked the desired energy and spontaneity, or "Superstar" by the Carpenters, where the scratch was so well performed that a re-record was deemed unnecessary.
A guide vocal is a vocal performance that a singer records to provide a reference track for another singer or singers who will be performing or recording the song.
For Leading actor of animated films, scratch vocals are nearly always replaced in the final cut by vocal tracks recorded by or experienced . However, in the rush to meet deadlines, if the scratch vocals for a minor role are good enough, the director may skip auditions and simply use the actor who recorded the scratch vocals in the role. This is how many animation studio employees (and their friends and family members) end up with minor credits as cast members on their studio's products.
If scratch vocals for a lead role are exceptionally good, the studio may approve casting of the scratch vocalist in the lead role—as occurred with Pixar's Turning Red (2022).
The current pattern of building an entire animated film with scratch vocals and animatics developed rather late. In 1993, Toy Story (released in 1995) was the first animated film for which scratch vocals were recorded for all reels. Before that point, development of animated films was much more chaotic in terms of when scratch vocals versus production sound were used for any particular reel in the film. For example, in the 1980s, Walt Disney Feature Animation experimented with recording production sound for all reels before starting animation and then using scratch vocals only for changes..
|
|